Eat Me in St. Louis by It Bites

Eat Me in St. Louis (cover)

It Bites’ third studio album, Eat Me in St. Louis (1989), stands as a defiant pivot for the British prog-pop quartet, trading their earlier whimsical complexities for a raw, riff-driven hard rock edge. Fronted by the enigmatic Francis Dunnery on vocals and guitar, with Bob Dalton on drums, John Beck on keys, and Dick Nolan on bass, this was the original lineup’s final bow before Dunnery‘s departure. Produced by Mack (of Queen fame), the record crackles with urgency, clocking in at 11 tracks that blend blistering guitars, soaring melodies, and a darker lyrical undercurrent—far from the playful prog of The Big Lad in the Windmill (1986) or Once Around the World (1988).

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The Bolshoi Brothers

The Bolshoi Brothers (cover)

In a musical landscape often dominated by fleeting trends, The Bolshoi Brothers‘ self-titled debut album emerges as a refreshing anomaly. Released on March 21, 2025, via Electronic Music Records, this project reunites Trevor Tanner (vocals and guitar) and Paul Clark (keyboards), former members of the 1980s new wave band The Bolshoi. Conceived during the COVID lockdown with Tanner in Florida and Clark in Seattle, the album’s remote creation infuses it with an intimate, almost spectral quality.

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After the Snow by Modern English

After the Snow (original cover)

After the Snow (original cover)[/caption]Released in May 1982 on 4AD Records, After the Snow marked a pivotal evolution for Modern English, the Colchester-based post-punk outfit. Following their abrasive debut Mesh & Lace (1981), this sophomore effort softened the edges, embracing melodic new wave sensibilities while retaining a shadowy, introspective core.

Produced by Hugh Jones, the album’s eight tracks clock in at just over 30 minutes, blending driving rhythms, atmospheric keyboards, and Robbie Grey‘s haunting vocals into a cohesive, if occasionally eccentric, soundscape.

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