Fans have paid artists $1.59 billion using Bandcamp. On select Fridays throughout the year, Bandcamp…
Rumble&Roar by Paralyed
In the hazy crossroads of ’70s heavy blues and modern stoner grit, Germany’s Paralyzed bellow…
The Spiritual Sound by Agriculture
In the churning underbelly of Los Angeles’ DIY scene, Agriculture—Dan Meyer (guitar/vocals), Leah B. Levinson…
The Rubber Teeth Talk by Daisy the Great
Daisy the Great‘s The Rubber Teeth Talk, released on June 27, 2025, via S-Curve Records,…
Bright as Blasphemy by Chevelle
In the fluorescent haze of 2025’s rock scene, where algorithms devour authenticity faster than a…
A Million Knives by The Velveteers
In the gritty underbelly of modern rock, where nostalgia often masquerades as innovation, Boulder trio…
Eat Me in St. Louis by It Bites
It Bites’ third studio album, Eat Me in St. Louis (1989), stands as a defiant…
I’m Only F**king Myself by Lola Young
Lola Young‘s third studio album, I’m Only F**king Myself, set for release on September 19,…
Labyrinthine by Faetooth
Faetooth‘s sophomore album, Labyrinthine, released on September 5, 2025, via The Flenser, marks a mesmerizing…
The Bolshoi Brothers
In a musical landscape often dominated by fleeting trends, The Bolshoi Brothers‘ self-titled debut album…
It’s Bandcamp Friday (9/5/25)
Fans have paid artists $1.57 billion using Bandcamp. On select Fridays throughout the year, Bandcamp…
After the Snow by Modern English
After the Snow (original cover)[/caption]Released in May 1982 on 4AD Records, After the Snow marked…