The Bolshoi Brothers

The Bolshoi Brothers (cover)

In a musical landscape often dominated by fleeting trends, The Bolshoi Brothers‘ self-titled debut album emerges as a refreshing anomaly. Released on March 21, 2025, via Electronic Music Records, this project reunites Trevor Tanner (vocals and guitar) and Paul Clark (keyboards), former members of the 1980s new wave band The Bolshoi. Conceived during the COVID lockdown with Tanner in Florida and Clark in Seattle, the album’s remote creation infuses it with an intimate, almost spectral quality.

The sound is eclectic and goth-heavy, echoing the post-punk roots of their past while incorporating electronic reinforcements and rock grooves. Opener “Just A Girl” sets a brooding tone with Tanner‘s emotive vocals over swirling synths, seamlessly transitioning into “Suburbs,” a standout featuring heavy guitars, skittering keyboards, and minimalist beats that evoke a sense of urban alienation. “Steam Funk” injects groovy, mellifluous guitar work, nodding to New Romantic influences, while “Beautiful Creature” delivers a polished rock-and-roll swagger with precise instrumentation. Mid-album highlights like “Mr Ridiculous” channel Ray Davies-esque whimsy with mid-80s Madness vibes, adding levity to the darker undertones. The closer, “This Town,” strips things back to sparing piano and ghostly tenor, leaving a haunting aftertaste.

Strengths abound: the duo’s chemistry shines through, creating a cohesive record that’s far from mere nostalgia. It’s a labor of love, slightly skewed and darker due to pandemic isolation, yet relevant for today’s uncertain world. If there’s a quibble, it’s that some tracks feel introspective to a fault, potentially alienating listeners craving high-energy anthems. Still, the blend of analog warmth and digital adventurousness in cuts like “Platitudes of Scorn” pushes boundaries without losing accessibility.

Overall, The Bolshoi Brothers is a triumphant return, proving that seasoned artists can evolve while honoring their legacy. With promised live shows mixing new material and Bolshoi classics, this album deserves a spin for fans of gothic indie and post-punk revival.

Author: Mr. Music

I enjoy listening to vinyl, talking about physical media and writing album reviews.

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